atom™
0.9

raster
r-m195
1,20 15,40  *

ThumbnailtracksformatTrack LengthPrice 
0.9 (almost a unit) [album version]mp303:331,20  *
0.9 (almost a unit) [esplendor geométrico remix]mp305:001,20  *
almost a unit (0.9) [album version]mp309:001,20  *
almost a unit (0.9) [peter van hoesen remix]mp306:091,20  *
full albummp323:424,50  *
0.9 (almost a unit) [album version]wav03:331,70  *
0.9 (almost a unit) [esplendor geométrico remix]wav05:001,70  *
almost a unit (0.9) [album version]wav09:001,70  *
almost a unit (0.9) [peter van hoesen remix]wav06:091,70  *
full albumwav23:426,50  *
full albumvinyl15,40  *

Release Date:

Artist:
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0.9999…//READ THAT SEQUENCE LIKE A MANTRA.

after their successful collaboration on <3, atom™ and x1n are back, this time presenting the 4 track EP »0.9«. it contains both the opening and closing tracks of <3 as well as their corresponding mutations. while »0.9 (almost a unit)« was remixed by esplendor geométrico, »almost a unit (0.9)« got reworked by peter van hoesen. »both renditions contribute amplified iterations of inherent attributes of <3« as x1n eloquently states. on a side note it may be mentioned that in mathematics, the expression »0.999..« is considered being identical to 1. meditating over that very fact may tell you a lot about our current reality.

#hardcodepop

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PROXIMITY IS DESTINY
DREAMS AS SEARCH ENGINES
X < Y < Z

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IN THE VAST SURFACE OF ALL MATHEMATICAL EQUATIONS ONE CAN SENSE EVENTS WHICH SEEM TO COME FROM OTHER DIMENSIONS – RIPPLES AND PATTERNS. THE ZERO POINT NINE INFINITE NUMBER LINE NEVER REACHES ONE, YET IS ONE, NONETHELESS. (X1N)

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»I TALK IN ALPHA NUMERALS«
(X1N)

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### denotes »end«. no more messages to follow.

Weight 1 kg
tracks

full album, 0.9 (almost a unit) [album version], 0.9 (almost a unit) [esplendor geométrico remix], almost a unit (0.9) [album version], almost a unit (0.9) [peter van hoesen remix]

format

mp3, vinyl, wav


atom™ is one of the most prolific contemporary electronic musicians of our era, with over 200 releases produced under a dizzying array of aliases. producing and releasing music since 1990, he is considered to be responsible for the one or another fusion of musical styles, triggering entire sub-genres of electronic music such as »glitch-pop« (album »pop artificielle«, 1999) or, perhaps his most well…

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