belief defect was born out of the intention to re-engage with music, avoiding the boundaries that working within the electronic underground and adhering to it's implicit do's and don't's regarding aesthetics, politics and hierarchical organizing generates.

their music is the recapitulation of the sounds and practices that played a fundamental part in their formative years and their recurring existential, social or political subject matter provides an overall cohesive narrative to »decadent yet depraved« as a nod to the »concept album« populating the last 3 decades of the electronic underground.

their debut at atonal, framed by the release of their first album under the raster imprint, evidenced how the physicality and drive in electronic music is not exclusive to DJ friendly genres.

this stage also served to emphasize the confrontational aspect of their music and the violence of sub frequencies, pairing it to visuals with an explicit social critique and terminal world view.